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pat, the world still needs you....
As Jimmy Kimmel and Stephen Colbert undergo the slings and arrows of outrageous censorship, a timely new documentary chronicles a sketching scourge of the status quo who skewered the powers that be, lampooning politicians, oligarchs and other tyrannical targets with a pen wielded like a harpoon. A Savage Art: The Life & Cartoons of Pat Oliphant takes a look at the Pulitzer Prize-winning artist who used the First Amendment via the visual medium of the single panel political cartoon to express sharp commentary in graphic form for about half a century, from LBJ to Trump, providing as one interviewee puts it, “a throughline to the insanity of America.”
A Savage Art: The Life & Cartoons of Pat Oliphant By Ed Rampell
This non-fiction film also touches upon the issue of banning artists. In an auspicious directorial debut, Bill Banowsky does so with great motion-picture panache, cinematically capturing the wit and righteous outrage of Oliphant’s art, as well as his singular personality. A Savage Art opens with a rapid-fire montage that includes many of Oliphant’s editorial cartoons, set to Edvard Grieg’s “In the Hall of the Mountain King,” music for a scene in Henrik Ibsen’s play Peer Gynt which, appropriately, includes trolls, gnomes and goblins. It may surprise those already familiar with Oliphant to learn that this acute, acerbic observer of the American scene was not born in the United States but, rather, in South Australia, near the state capital of Adelaide, in 1935. However, having worked for the Australian Broadcasting Corp. and traveled Down Under several times, this makes perfect sense to me because many Australians have a healthy sense of irreverence and skepticism (particularly when it comes to the Yanks). In addition, living in a country that is not originally your homeland can provide one with a sense of ironic detachment about an adopted country where the transplant may be in it, but not of it. Speaking of irony, while still an adolescent, the iconoclastic Oliphant began his journalistic path as a copy boy, working for none other than Rupert Murdoch at The News, Adelaide’s evening tabloid. And given that Pat went on to use his pen to decry war, it is also quite ironic that his uncle, physicist Mark Oliphant, worked on the Manhattan Project with Robert Oppenheimer. Pat would go on to parody nuclear weapons and the arms race, as well as the Cold War, in his stinging anti-war images. To be closer to the center of world events, Oliphant left the relative backwaters of Australia and relocated to the U.S. in 1964 to work as the Denver Post’s editorial cartoonist. About a decade later he moved on to the epicenter of American if not world politics, Washington, D.C., and soon, instead of working from the home base of a specific newspaper, Oliphant—who chafed at the bit by being told what to draw/say—chose to pursue syndication of his work, which enabled him to exercise editorial control and independence, a crucial component for artists. Oliphant was a bipartisan, equal opportunity offender, who poked and prodded Democrats and Republicans alike, with equal disdain for both. For example, in one cartoon Alice in Wonderland’s twin brothers Tweedledee and Tweedledum represent the two parties. The first American president the newly arrived immigrant regularly caricatured was Democrat Lyndon Baines Johnson, especially as Oliphant was critical of the Vietnam War. Later in A Savage Art Oliphant says in voiceover that he “really didn’t take to Clinton. There’s something see-through-able about him. He never really convinced me of his sincerity.” Caricatures of Clinton, also a Democrat, dancing the old soft shoe, or with his alleged paramours, Paula Jones and Monica Lewinsky, appear on the screen and we hear Clinton’s lame denials of his committing adultery, followed by his confession, with images of Hillary hurling anvils at her unfaithful, mendacious husband. In a panel drawn during the Obama administration, an oversized Benjamin Netanyahu, marked with a Star of David, points a finger and glares at a glum, seated President Barack Obama, snarling: “You don’t seem to understand who is in charge here.” Another cartoon has Obama holding open a book entitled “Enemies” and Barack smiles at Nixon, who tells the Democrat: “Benghazi, I.R.S., A.P., Justice – you’re doing beautifully, son… May I call you ‘son’?” The cartoonist had a special animus toward the GOP’s President Richard Nixon, Oliphant’s bête noire, the man he loved to hate, who was drawn as jowly, increasingly sinister, with Nixon’s head on the body of a rat, roach or spider. Often, Nixon appears naked, which may be the satirist’s reference to the emperor not wearing any clothes. Onscreen, Oliphant describes Tricky Dick as “a gift, he was a sort of an ally to cartoonists.” Other favorite targets included President Ronald Reagan and Vice President Dick Cheney, while his first newspaper boss Rupert Murdoch receives special mentions, too. World affairs also captured Oliphant’s attention, such as his series on apartheid in South Africa. In a cartoon captioned “State of Emergency,” a boot labeled South Africa is crushing a Black man. Oliphant also turned his ire toward the Middle East, with (as aforementioned) a special disdain for Bibi Netanyahu. In a couple of his cartoons, the Star of David—which is a religious symbol but is also emblazoned on the flag of the State of Israel—is depicted in unflattering ways, on the side of a dog urinating on Uncle Sam, or the Star of David forming a shark’s fanged mouth, being wheeled toward a woman with a baby by a jackbooted, sword-waving soldier. A Savage Art explores Oliphant’s artistry which, in addition to roughly 10,000 editorial cartoons, included sculpting and painting, and delves into the artist’s creative process. Oliphant would study the presidents and derive a visual detail, or what he called “a trademark,” that summed them up. The satirist always drew President Gerald Ford, who was widely ridiculed for his stumbling, with a band aid on his forehead. As an employee, Oliphant had brushes with censorship and, although he won a Pulitzer Prize for it, he rued a cartoon depicting Ho Chi Minh holding a dead Vietnamese, in part because an editor the cartoonist disparaged as a “cigar chewing asshole who was drunk most of the time,” changed the caption, altering “peace table” to “conference table,” which defanged the piece’s bite. In a section on the history of political cartoons, the art form’s practitioners incurred the wrath of France’s Prince Louis-Philippe I, and an unflattering image of His Majesty is shown, which Oliphant says earned Honoré Daumier six months behind bars in 1832. Later, A Savage Art the documentary returns to the subject of censorship with a section on Rob Rogers, whose color cartoons excoriating President Donald Trump led to his neck going on the Trumpian chopping block, seven years before Kimmel and Colbert faced the MAGA firing squad. After decades as the Pittsburgh Post-Gazette’s cartoonist, Rogers was axed in 2018. The film also remembers the cartoonists and staffers of France’s Charlie Hebdo magazine who were butchered by religious zealots in 2015 (religious fanaticism of every denomination is another big bugaboo for Oliphant). As the Wall Street Journal’s Eric Gibson points out onscreen, those who take themselves far too seriously cannot stand to be mocked. Another of the film’s commentators says that “hate mail is high congratulation that you’ve hit your target.” Late in his career Oliphant trained his ire on Trump. In one panel, garbed in a Nazi uniform with a swastika armband, Mein Trumpf looks in a mirror and asks “Herr Bannon” how he looks, to which a Sieg Heiling Steve Bannon replies: “Exquisite as usual, Herr Trump!” But what has stopped the cartooning of Pat Oliphant—who turned 90 this year—is the greatest censor of them all: The vicissitudes of old age. The man who moved across the world to be near the rooms where it happened relocated far from the madding crowd to Santa Fe, New Mexico, in 2004. Another hobgoblin Oliphant tackled was gun violence. An image created long before conservative influencer’s Charlie Kirk’s murder seems especially apropos of that shooting death: Three statues marked “The Executive,” “The Legislative,” and “The Judicial,” hold up a roof labeled “The Four Pillars of U.S. Government.” The skewed, fourth pillar depicts a deranged gunman and is entitled “The Armed Maniac.” This is followed onscreen by an image of a mother waving an automatic weapon, as she runs toward her little daughter who is about to board a school bus, shouting: “Tina Honey! You forgot your assault weapon!” A Savage Art: The Life & Cartoons of Pat Oliphant, in the section on the history of political cartooning, includes information on how technological developments have impacted the medium, along with overviews of great cartoonists such as Daumier and Thomas Nast. Period footage and news clips are fluidly and creatively interwoven with the cartoon imagery and original interviews throughout this 88-minute documentary that covers lots of ground. In archival footage, columnist Maureen Dowd delivers a speech lauding Oliphant (who did the cover art for Dowd’s 2004 book Bushworld) at a dinner, and there are original interviews with former Senator Tom Udall plus members of Oliphant’s family, so we learn about the private side of a public figure. Editorial cartoonists, too, are interviewed onscreen, including Ed Sorel, Adam Zyglis and Ann Telnaes, the Pulitzer Prize winner who quit The Washington Post last January after an editor rejected her cartoon depicting tech billionaires—including Post owner Jeff Bezos—offering money and bowing down before a statue of Trump, with Mickey Mouse prostrate on its pedestal. The topic of political cartoonists as an endangered species is also discussed in this trenchant film. Director/co-writer Banowsky previously produced documentaries such as 2010’s Casino Jack and the United States of Money, which is about lobbyist Jack Abramoff and was directed by Alex Gibney. My one criticism of Banowsky’s briskly paced film that never lags is that sometimes there is not enough time to read the cartoons’ captions. Other than that minor quibble, the cinematic Savage Art is a highly entertaining, enlightening, educational look at an exceptional artist and, through his work, at the medium of political cartooning. It is also extremely of the moment, coming at a time when truth-telling TV humorists cracking wise about political topics are being subjected to the crack of the censor’s whip. See it while it is still legal to do so, before Trump pulls it from distribution. As of this writing, A Savage Art: The Life & Cartoons of Pat Oliphant is playing in theaters. For screenings see: https://www.magpictures.com/asavageart/screenings/. https://covertactionmagazine.com/2025/11/12/a-savage-art-the-life-cartoons-of-pat-oliphant/
SEE ALSO: https://www.youtube.com/watch?v=FS_gIcPyR_s Pat Oliphant: Political Cartoonist
YOURDEMOCRACY.NET RECORDS HISTORY AS IT SHOULD BE — NOT AS THE WESTERN MEDIA WRONGLY REPORTS IT — SINCE 2005.
Gus Leonisky POLITICAL CARTOONIST SINCE 1951.
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spew.....
Democrats and Republicans have come together to mourn former US Vice-President Dick Cheney at his funeral in Washington DC.
Cheney, who served under President George W Bush from 2001-09, died from complications of pneumonia and cardiac and vascular disease in early November. He was 84.
Bush, a Republican, said in his eulogy: "In a profession that attracts talkers, he was a thinker and a listener." Former President Joe Biden, a Democrat, also attended.
Cheney was one of the most powerful vice-presidents in history, a key architect of Bush's "war on terror" after the 9/11 terrorist attacks, and an early advocate of the invasion of Iraq.
https://www.bbc.com/news/articles/c93x3er4l9zo
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YOURDEMOCRACY.NET RECORDS HISTORY AS IT SHOULD BE — NOT AS THE WESTERN MEDIA WRONGLY REPORTS IT — SINCE 2005.
Gus Leonisky
POLITICAL CARTOONIST SINCE 1951.
dangerous dick....
Dick Cheney’s Legacy Is One of Brutal Carnage
BY CHIP GIBBONS
From censoring a report on CIA domestic surveillance to running cover for the Contra War to helping launch the war on terror, Dick Cheney dedicated his life to making sure the US national security state could kill, spy, and torture with few checks.
On March 15, 2006, the United States was nearly three years into its second Iraq war. After over a decade of brutal sanctions and continuous bombing, in spring 2003, the US had launched a full-scale invasion of the oil-rich Middle Eastern nation. The invasion was a flagrant violation of international law. After toppling Iraq’s Ba’athist government, a former on-again, off-again ally of Washington, the United States and its allies began a protracted military occupation of Iraq. The neocolonial affair was particularly brutal. Such is the nature of seeking to impose your presence by military force on a people who do not wish it and are willing to use force to oppose it.
That day, March 15, soldiers approached the home of Faiz Harrat Al-Majma’ee, an Iraqi farmer . Allegedly they were looking for an individual believed to be responsible for the deaths of two US soldiers and a facilitator for al-Qaeda recruitment in Iraq. In the version told by US troops, someone from the house fired on the approaching soldiers, prompting a twenty-five-minute confrontation. Eventually the soldiers entered the house, killing all of the residents.
This included not just Al-Majma’ee, but his wife; his three children, Hawra’a, Aisha, and Husam, who were between the ages of five months and five years old; his seventy-four-year-old mother, Turkiya Majeed Ali; and two nieces, Asma’a Yousif Ma’arouf and Usama Yousif Ma’arouf, who were five and three years old. An autopsy performed on the deceased “revealed that all corpses were shot in the head and handcuffed.” After slaughtering the family execution style, US soldiers called in an air strike, destroying the house. The presumed reason for the bombardment was to cover up evidence of the extrajudicial killings.
When it comes to the architects of the war on terror, one name looms larger than the rest: Dick Cheney.
The ten lives taken that day, including the children handcuffed and shot at point-blank range in the head, are part of the 4.5–4.7 million humans who lost their lives in the post-9/11 war zones. This includes not just Iraq but also Afghanistan, Syria, Yemen, and Pakistan. It is impossible to reduce the “war on terror” and its colossal human toll to one person. But when it comes to the architects of the war on terror, one name looms larger than the rest: Dick Cheney.
On Monday, November 3, Cheney died at age eighty-four due to complications from pneumonia and cardiac and vascular disease. I do not wish death on any human, nor do I have any desire to see any living being suffer. But when reflecting on Cheney’s legacy, we are obligated to acknowledge the millions of lives he cut short, like those of Iraqi women and children who were bound and killed execution-style in 2005. They are part of Cheney’s legacy, a legacy that includes a lifetime of defending the worst crimes of the US national security state.
A Lifetime of Service to the National Security StateMost accounts of Cheney’s politics focus on his belief in expansive powers for the executive branch, with a diminished role for Congress. While this is certainly true, Cheney’s ultimate fidelity was to the national security bureaucracy that had metastasized within the executive branch. Cheney’s interventions were on behalf of the executive branch’s power to launch wars abroad and conduct surveillance at home.
Early in Cheney’s career, he witnessed attempts to restrain them. Revelations that Richard Nixon had set up a secret spy unit called the White House Plumbers to first target whistleblower Daniel Ellsberg and then burglarize the Democratic National Committee’s office at the Watergate Hotel forced Nixon out of office in disgrace. It also resulted in a temporary setback for the national security state.
Nixon’s personal espionage program was made up of veterans of the national security state and mimicked its tactics. The Watergate scandal broke alongside scandals about the FBI’s and CIA’s surveillance of the antiwar and civil rights movements. Millions of Americans participated in both movements, only to find out that their government considered their conduct worthy of snooping on. This greatly diminished trust in the national security leviathan.
And while Cold War repression had once put US national security policy beyond the realm of criticism, widespread disillusionment with the murderous, immoral, and disastrous Vietnam War meant its future was very much in question. While the national security state lived on, the fallout from Watergate and Vietnam places its power at its nadir — at least temporarily.
Cheney sought to battle these restrictions. As White House chief of staff for President Gerald Ford, Cheney made handwritten changes to a report on CIA activities. Chief among Cheney’s edits was changing the description of domestic CIA surveillance as “illegal” to being “improper.” While Cheney failed to stave off the checks put on the national security state, he refused to give up his fight.
In 1978, Cheney was elected as a Republican congressman from Wyoming. In Congress, Cheney voted against both sanctioning apartheid South Africa and a nonbinding resolution calling for Nelson Mandela to be freed. Such votes led the Nation’s John Nichols to dub Cheney “Apartheid’s Congressman.” During the 2000 election, Cheney’s votes on Mandela became a point of controversy. Far from admitting error, Cheney defended his vote, explaining the African National Congress were viewed at the time as “terrorists.”
Cheney’s interventions were on behalf of the executive branch’s power to launch wars abroad and conduct surveillance at home.
In Congress, Cheney was the Republican ranking member on a House inquiry into the Iran–Contra scandal. In the early 1980s, the Reagan administration was caught mining the harbors of Nicaragua. This clear act of war was carried out by the CIA, whom Ronald Reagan had promised to “unleash” while running for president.
As part of their efforts to overthrow the socialist Sandinista government of Nicaragua, the CIA had been working with the “Contras.” Dubbed freedom fighters by the Reagan White House, the Contras were a verifiable terrorist force. They deliberately targeted civilian infrastructure like literacy centers and health clinics to undermine the Sandinistas efforts to improve the lives of ordinary Nicaraguans. Wary that Reagan’s secret war could become another Vietnam, Congress passed a series of funding riders referred to as the Boland Amendment. It blocked lethal aid from being sent to the Contras for the purposes of regime change in Nicaragua. A number of efforts were made to keep arms flowing to the Contra terror, including the use of private funding networks, as well as to (at the very least) turning a blind eye to Contra drug trafficking.
But the entire Reagan administration almost imploded when key officials were caught selling weapons to Iran and using the proceeds to fund the Contras in violation of the Boland Amendment. In Cheney’s minority report, the lawless party were not those who armed Contra’s terror campaign but Congress for trying to limit the Reagan administration’s secret war.
Cheney left Congress to serve as President Geoge H. W. Bush’s secretary of defense. In that role, Cheney would oversee the US invasion of Panama. The completely lawless invasion violated both the international law and the US Constitution. And it killed3,500 Panamanians. The official pretext was the United States had indicted Panama’s leader, Manuel Noriega, for drug trafficking and invaded the country to kidnap and render him to a Miami courtroom. Noriega was a former CIA asset. And he was not the only former US ally Cheney would have to do battle with as secretary of defense.
Throughout the 1980s, the United States had armed Iraqi dictator Saddam Hussein against Iran, even as Hussein usedchemical weapons. In 1990, Hussein again went to war with one of his neighbors, this time Kuwait. There is evidence to suggest the Iraqi leader erroneously but earnestly believed the US would turn a blind eye to the aggression. But Kuwait, unlike Iran, was a US ally. And the United States, going through the United Nations Security Council, launched a war against Iraq.
The US went well beyond expelling Iraq from Kuwait. They engaged in a massive bombardment of Iraq, clearly targeting civilian infrastructure. The United Nations described the bombing as “near apocalyptic.” With Iraq left unable to purify water, process sewage, or irrigate crops, the UN found the bombing had reduced the country to a “pre-industrial age.” During the war, the United States dropped two two-thousand-pound “precision” bombs on the Amiriyah shelter. This attack on a civilian air raid shelter with no military use resulted in the deaths of 408 civilians who had sought a refugee from the apocalyptic bombing of their country. And when Iraqi soldiers retreated from Kuwait, the US bombed them in what became known as the “Highway of Death.” The images of charred humans became some of the most shocking of the war. As secretary of defense, Cheney bears responsibility for these crimes.
With a career as ignominious as Cheney’s, it is impossible not to overlook some atrocities. But it is worth mentioning one final moment during his tenure as secretary of defense that is too often omitted. The United States had long stood accused of training Latin American militaries and death squads in torture and other human rights violations. These allegations prompted an official investigation. A classified report, given the remarkably bureaucratic title Improper Material in Spanish-Language Intelligence Training Manuals, confirmed that the US training materials instructed clear violations of law.
The report was delivered to Secretary of Defense Cheney. A copy obtained by the National Security Archive contains the stamp “SECDEF HAS SEEN.” It would not be the last torture scandal he would play a part in.
The Man Who Ran the ShowFollowing his tenure as secretary of defense, Cheney spent the rest of the 1990s out of public office. But two aspects of his career during this time would be foreboding. He became the CEO of Halliburton, an oil services company who would later receive a number of contracts related to the Iraq War when Cheney was vice president. Cheney would also be one of the founding supporters of Project for a New American Century. The neoconservative think tank pushed for the aggressive promotion of American hegemony and the buildup of American military might. In a particularly deranged document, the Project lamented that many of its goals would take a long time to achieve “absent some catastrophic and catalyzing event — like a new Pearl Harbor.” While the Project for a New American Century advocated an aggressive and hawkish vision of US foreign policy writ large, it focused its attention on one country in particular: Iraq.
Iraq would become the central focus of George W. Bush’s administration. In fact, less than a month after protesters shouting “Hail to the Thief” pelted Bush’s limo with eggs on Inauguration Day, Bush dramatically expanded the US bombing of Iraq. This escalation of the United States’ longest air war since Vietnam occurred two full years before the official start of the Iraq War and seven months before the horrific 9/11 attacks.
While Iraq was clearly in the Bush administration’s sights no matter what, it was the tragic murder of nearly three thousand Americans on September 11, 2001, that would pave the way for the long-sought larger war. And Cheney would play an important role. Cheney had been tapped by Bush to help him select a running mate. In typical Cheney fashion, he ended up becoming the vice presidential nominee. After an election that was almost certainly stolen, Bush and Cheney arrived in the White House rejected by the majority of Americans at the ballot box.
Cheney would become the most powerful vice president in history.
On the day of the attack, Bush was in Florida for a photo op. After a second plane struck the World Trade Center, Bush was whisked away in Air Force One. With the actual commander in chief flying around US airspace, Cheney gave the order to shoot down United Airlines Flight 93, one of the remaining hijacked planes. By the time the order was given, the passengers had already revolted, attempting to take the plane from the hijackers intent on using it as a weapon. As a result of this heroism, the plane crashed, killing all on board, before it could be used to strike another target.
While Cheney’s shootdown order was ultimately unnecessary, it is indicative of his unusual role in the war on terror. Typically the vice president does not make such military decisions. But in the aftermath of the attacks, Cheney would become the most powerful vice president in history.Cheney used that power to push for a war in Iraq. This war was premised on two major lies, both of which Cheney promoted: First, that Iraq possessed weapons of mass destruction. Second, that Iraq was involved in the 9/11 attacks. The second lie was particularly preposterous. The secular nationalist Ba’athist government of Hussein, while brutal, had nothing in common with the Salafist jihadist al-Qaeda responsible for the murderous attacks. If any government had aided al-Qaeda, it was Saudi Arabia.
Yet Saudi Arabia was a chief US ally and business partner of the Bush family. At the same time it was manufacturing evidence about Iraq, the Bush administration was blocking any inquiry into the possible Saudi role.
The Iraq War was launched with a horrific campaign of aerial bombardment, known as “Shock and Awe,” and continued on with a bloody, protracted occupation. But Iraq was not Cheney’s only crime after 9/11. Cheney had long espoused an expansive theory of the executive powers. And after 9/11, he exploited the tragedy to try to enact the theories he had long argued for. Cheney was instrumental in pushing claims that as commander in chief, the US president could detain anyone, including US citizens, without any judicial review. He supported a CIA program of forced disappearances and torture reminiscent of the state terror of fascistic or military dictatorships.
In addition to having the wartime power to abduct and detain anyone, Cheney also believed the executive’s commander-in-chief authority gave him the power to spy on anyone. In the aftermath of Watergate and revelations about spying on Martin Luther King and other activists, there was a serious attempt to limit domestic national security surveillance. To accomplish this end, Congress passed the Foreign Intelligence Surveillance Act (FISA). The law was hardly civil libertarian; it allowed a secret court to authorize electronic eavesdropping on Americans. But to Cheney and other hard-line national security hawks, it was an intolerable affront to place any limit on the president’s authority to conduct national security wiretaps.
Cheney’s opposition to Trump has allowed some to sickeningly seek to rehabilitate him as a champion of democracy. Nothing could be further from the truth.
At the same time the Bush administration was getting Congress to amend FISA to allow for greater surveillance, they were secretly creating a spy program completely outside of FISA. FISA, it should be noted, was not a mere suggestion; it created criminal prohibitions on warrantless wiretapping. This criminal surveillance regime was dubbed the President’s Surveillance Program, but it might as well have been the Vice President’s Surveillance Program.
The program was the brainchild of Cheney, his chief of staff, David Addington, and National Security Agency (NSA) director Michael Hayden. The version signed by Bush was mostly drafted by Addington. Although the program was infamous for allowing the NSA to warrantlessly intercept Americans overseas communications, as designed by Addington, it originally allowed for the interception of purely domestic calls. Even the arch surveillance hawk Hayden thought this was too far and refused to implement that part of it. It was dropped from later reauthorizations.
The program would undergo a number of legal justifications over the year’s, but the original and most sweeping was straight out of the Cheney playbook. The wiretaps were justified by the president’s power as commander in chief. That FISA criminalized them did not matter — the real law breaking was FISA’s attempt to rein in the president. It mirrored the logic Cheney put forward during Iran–Contra as a congressman.
In addition to wars of aggression, indefinite detention, and torture, the war on terror also normalized the use of assassinations. Technically assassinations are banned by executive order. But the order fails to define assassinations, and through twisted legal reasoning and word games, it has been rendered factually superfluous even as it remains in place on paper. This move mirrored Israel’s own program of assassinations, which were euphemistically referred to as “targeted killings” in part to get around international prohibitions on extrajudicial killing.
It is difficult to imagine now, but before 9/11 the Bush administration was initially opposed to Israel’s assassintion of Palestinian leaders. There was one dissenter. Cheney publicly broke with the administration’s stated line, endorsing the Israeli killing. And during the war on terror, the Bush administration, aided by Israeli technical knowledge and legal arguments, formally adopted targeted killings. Whether by Special Forces or by mechanized drones, assassinations would become the hallmark of the US war on terror.
Then vice president Dick Cheney addresses the press with then Senate minority leader Mitch McConnell and Senator Trent Lott at the US Capitol Building on April 24, 2007. (Vice Presidential Records of the Photography Office, George W. Bush Administration)
Living in Cheney’s WorldCheney’s final public arc is perhaps the most odd. The archconservative, lifelong Republican emerged supposedly as an opponent of Donald Trump. Cheney went so far as to endorse Kamala Harris’s failed presidential bid. In one of the most tone-deaf moves of any campaign in history, Harris’s campaign openly touted Cheney’s endorsement as well as those of other Republican war hawks. As the Harris campaign struggled with key voters over its refusal to break with Joe Biden’s criminal support for Israel’s genocide, they sought to somehow outhawk Trump.
Cheney’s opposition to Trump has allowed some to sickeningly seek to rehabilitate him as a champion of democracy. Nothing could be further from the truth. Cheney rose to vice president as the result of a stolen election. Once in power, his attacks on democracy only worsened. Exploiting the 9/11 tragedy, he broke nearly every democratic norm to enact a regime of authoritarian, murderous policies. He not only was perhaps the single most destructive figure for American democracy in the twenty-first century — he left behind human carnage and death around the world.
Can anyone seriously argue Trump’s actions are not the logical extensions of Cheney’s war on terror?
Not only is Cheney responsible for his own attacks on democracy, but there are solid through lines between him and Trump. Trump’s first campaign was marked by calls for surveillance of mosques, support for torture, escalating air wars in the Middle East, and retaliatory killing of “terrorists’” families. Can anyone seriously argue these are not the logical extensions of Cheney’s war on terror?
And in Trump’s second term, he has claimed the right to bomb countries without congressional authorization, labeled domestic opponents terrorists to tap into the nation’s vast counterterrorism surveillance apparatus, carried out assassinations of alleged drug traffickers, and is clearly seeking regime change against a left-wing government in Venezuela. These are the policies Cheney spent his life advocating for. Trump even achieved Cheney’s long-term dream of bombing Iran.
Trump’s greatest danger to our democracy as an authoritarian comes from the unchecked executive power amassed in the national security state Cheney spent his lifetime working to build. According to Cheney, the US government could not only wiretap a US citizen without a warrant but detain them without any recourse to the courts or possible intervention from Congress. Like Cheney, Trump almost certainly salivates at the thought of carrying out such policies.
While it is debatable what role Trump’s fake antiwar stances or cynical manipulation of Cheney’s endorsement of Harris played in his 2024 electoral victory, there is no question that Barack Obama’s 2008 electoral victory was in large part a rejection of Cheney’s war on terror policies. Yet in spite of riding this popular outrage to the White House, Obama cemented and expanded many of these policies, including warrantless NSA surveillance and global assassinations.
That presidents across parties continue Cheney’s darkest policies speaks to perhaps his most troubling legacy: it is very much the world Dick Cheney made that we continue to live in.
https://jacobin.com/2025/11/cheney-war-terror-iraq-trump
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YOURDEMOCRACY.NET RECORDS HISTORY AS IT SHOULD BE — NOT AS THE WESTERN MEDIA WRONGLY REPORTS IT — SINCE 2005.
Gus Leonisky
POLITICAL CARTOONIST SINCE 1951.
dicky toons....
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YOURDEMOCRACY.NET RECORDS HISTORY AS IT SHOULD BE — NOT AS THE WESTERN MEDIA WRONGLY REPORTS IT — SINCE 2005.
Gus Leonisky
POLITICAL CARTOONIST SINCE 1951.